At the end of 1945 Anna Klein finds herself making tough choices about her future as a wife and mother. The delicate balance of her personal life seems to be falling apart and she finds herself homeless and relying on the kindness of a trusted co-worker who may not be all she appears. Anna finds solid footing in her work with American Monuments Man Henry Cooper as the two confront the higher-ups who threaten to shut down the art restitution operations and others who see the chance to enrich themselves. Meanwhile her feelings for Cooper - and his for her- simmer beneath the surface and complicate her life even more.